Tuesday, November 18, 2008

J.J. Webb remembers Michael McNeilley, 1947 - 2001

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In Memory - Michael McNeilley
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So the computer screen passes writers at me on a constantly evolving Internet and this one blues piece, in '93, holds my screen a long time with its intricacies. I ask, "who the hell is this guy McNeilley?" The screen says, 'editor of the Olympia Review, in Olympia, Washington.' Within a few days there is an introduction. Within a few more days there's plotting. A few more, collaboration. And one day, friendship.

The collaboration started on one of the Internet's first Ezines. An Art and Literary Ezine called 'The Hawk' had started in '93. Michael became the fiction editor of 'The Hawk' just before its second issue. When the Ezine became 'poetry only' in '95, its name was changed to 'ZeroCity'. And Michael and I became its co-editors.

A recluse, I know friendships with other reclusive men and women who do the same kinds of things with their reclusive natures. Write. Carve. Sculpt. Paint. They want to be alone, mostly, to examine the insides of their imaginations and to distort time, or so some have told me. Some of those friends, when called to oppose their natural, comfortable routines, come out of their seclusion gregarious, self-assured, eager, even arrogant in their approach to their friends. Demanding. Imposing. Exciting. Provocative. That friend is the most stimulating and dangerous kind of friend. Including major investments of time in revelation of naked spirit to another. And fear, too, of being overwhelmed. Of being too influenced.

Michael McNeilley pushed writers at me faster than I thought possible. Where he found them didn't matter
to me. We'd decided to do an Ezine and the fact he was three times faster than me at finding writers only
bothered me a little bit. Eventually, I told him I felt like we were in a competition and I was running second.
He said, "Great! You are the man with the perfect life AND you want to come in first in everything you do, too?
You greedy thing. So, when did this become a competition?"

"You think I have a perfect life?"
"You think you don't?"
* * *
A few weeks ago, during a discussion on the history of poetry on the Internet, Robert Sward informed me of a 1996 magazine article on Internet Ezines. He said the Ezine Michael and I had edited was mentioned favorably, though only Michael had been listed as editor. Grrrrrr. And the article was written a decade ago.

* * *
"Tell me again, why did we agree to release tomorrow?"
"We thought it would be less work?"
"At least there's only Virg and three others left to format."
"Michael, your buddy Virg is a dick. You know that?"

"Easy now, Virgil and I go way back. What's the problem?"
"He's a lawyer. Let's start there. That alone's enough, but
he's a 'know-it-all' too, and he thinks he's a better writer
than me ..."

"Well, that's probably true .."
".. hell, he thinks he's a better writer than you."

"The dick! You think we should can his pieces from the issue?"


* * *
On the next to last day of June, 2002, we spread Michael McNeilley's ashes around one of the trees in the redwood cathedral here at the Poetry Grove. Stephanie and Thom, his ex-wife and son, Jeff, one of his boyhood friends, and I scattered the ashes. My wife and daughter watched. We read poetry by Auden and by Michael. We talked about heart attacks and dying young, about turtles and Napoleon. We talked about Michael, his brother, his wives, his sons, his daughter, his poetry. We remembered him with his friends and his acquaintances. We drove out to Big Basin and Stephanie spread some of his ashes around one of the trees near 'the mother of the forest', a spot he'd taken a liking to when he visited in '99.

There were stories of Washington, New York, New Mexico, Texas and a dozen other places. Stories of drum beats on wooden legs and reckless ramblings in a gold convertible. There were conjectures on how many lives he'd saved, how many wars he'd settled, how many he had waged.

We ate steak and corn and baked potatoes on the balcony under the oak tree where Michael spent time staring out at Empire Ridge in the distance. No one can look out at these huge trees, this beautiful forest, these Holy Cross Mountains and not see heaven. And certainly, heaven is where Michael McNeilley belongs.
--Beau Blue
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McNeilley was founding director of the National Student News Service; worked as a reporter and correspondent in Washington, DC; His stories and poems have appeared in hundreds of magazines, Ezines, anthologies and broadsides, including the New York Quarterly, Poet, Chicago Review, Oyster Boy Review, Cross-Connect, Mississippi Review, Chiron Review, Poetry Motel, Minotaur, Slipstream, Cafe Review, Pink Cadillac, and many others. He was editor of the Olympia Review in Olympia Washington, publisher & editor of the 'Olympia Review Anthology'. He was co-editor with JJ Webb of the online Ezine ZeroCity from 1994 to 1998. His books and broadsides include 'Love & Beer', and 'My religion is your ass' (with Mere Smith) from Techline, 'Situational Reality' from Dream Horse Press, 'McNeilley's Monsters' & '10 by mcn' from Cruzio Communications.

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Beau Blue (JJ Webb) - Blue's books & recordings include 'Appalachian Canticles' (Jarus Books, 1979), 'Human Tricks' (A Little Licks Record, 1981), 'in the Electric Shadows' (A daVinci Media publication, 1994). He was co-editor with Michael McNeilley of the online Ezine ZeroCity from 1994 to 1998. A performance poet and storyteller, Blue has performed extensively in Northern California, Oregon and Nevada for the last 30 years. He lives in the Santa Cruz Mountains

Beau Blue Presents - http://members.cruzio.com/~jjwebb
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